Plotting Act II

I've been stalled on writing the second Melantha Caldwell book, and I know why. I don't have a firm grasp of the second act. I have the major plot points, but I don't have the shape/feel of it yet. It isn't burning up inside me trying to get out. I need to stoke the fire so I can get back to writing, so I had a look at what I know and what I don't know. Know what I don't know? The story question for Act II. I'm not sure how this happened. Usually I have the acts sketched out with their questions and major plot points before I start writing. I've searched all my notes, but it looks like I just jumped into writing this time. Oops.

The story questions act as focal points for me. They're the lights at the end of the tunnels. Here's the story questions for The Secret Keeper (a YA science fiction (about a boy who gets separated from his body, the girl who races across the desert to save him and the secrets that could tear them apart) that I put away in the Writer's Trunk because I got the voice wrong and have to completely rewrite from scratch if it's going to work):

Act I - story question: will Merrilee believe Jax is still out there, or will she give in to her mom and go for therapy instead? [theme: believe in yourself]

Act II - part 1 - story question: will Merrilee and Jax find each other? [theme: strength in the face of adversity] complications of Brent & parents; adelaide & keeper. Ends when Merry hears Jax and leaves home to go with him.

Act II - part 2 - story question: will Merrilee and Jax make it to Jax's body in time? [theme/story theme: keeping secrets is costly/not worth it. Be accountable for your actions, even when it's hard.] Jax finds his father; tries to save him Ends when they reach the underground lair, but Jax changes plans and decides to go after keeper.

Act III - question: will Jax & Merry live happily ever after or be destroyed by the secret?

Except for Act III, the answers to the story questions has to be either "No, and..." or "Yes! But..."

So now I have to go & do this for Dealing With Demons.

june-july 2012 103

Shutting Off the Internal Editor

1. The problem with spending so long editing a novel is shutting off the editor when its time to return to writing.

After months of editing, I found it difficult to switch gears and create something new, even though I have all the parts I need to start a new novel. That internal editor of mine is stubborn.
I wrote some short stories. I started really short, just 500 words, because that was all I could manage without scrutinizing it to death. Then I wrote a longer one, 1000 words, and then 2000 words. This has also been a tremendous help in building up my writing pace. As a bonus, I got to try on new voices, which helped to exorcise the old novel from my mind.
The first few scenes of the new novel are short, but steadily building. Not only does this help me kick aside the editor and build up to my preferred pace of a minimum of 1200 words per day, but it establishes a quick pace for the opening of this story, which helps keep it interesting. (Not that it will stay this way. It can all be changed in the next draft. I'm just saying this helps me stay interested.)
2.  My internal editor has slashed the life out of reading for pleasure. All I see are faults, lines I want to mark with red pen, characters I want taking a different arc.
The only cure for this, I'm afraid, is to keep reading until I find something I can get lost in.
What do you do to turn off the internal editor?  Let me know in the comments. I need the suggestions.